Видео

Minimal gear load outs are the best shoots! I am also working on cutting a new reel. It really does take forever!

Highlights why I consider the Sigma set a reference standard. Transparent, neutral, they don't impose any "look".

It's amazing how the modern and sharp Sigma image can be transformed into such a sharp and soft flare. Will your project modifications allow you to use the modernity of the Sigma and also use it for vintage cameras like this? Or will you only be able to use the KOWA-style look once you request a modification?

Hi @northwest camera, argus lens set is appealing for its speed and price point, when compared to DZOFilm Arles. Do you know if laowa plans to release PL/EF and L mount options? I'd suspect they don't plan to due to the low market demand and profitability forecast. Any perspective you can share? Thanks

do you think these would work on a DSMC2 Helium 8k sensor? without vignetting

Hi Dominic. Two questions: 1. Can the counterbalance be set to hold the camera in a tilted position? This is what I look for in a counterbalance, rather than any sort of bounce back. 2. Is the side mount system compatible with the standard Manfrotto 501 plates? That's what I use with my Sachleter video heads, and they are cheap and readily available.

The review and your model are really good. It gives me a real sense of what kond of character in can get with these lenses. Your channel deserves more subscribers, thats for sure! ❤

I sse them for 599 though

You said "There's some things that change from focal length to focal length that we'll get into later." Did I miss where you talk about that? Also, I wish the flashlight tests were separated more so I would have time to examine what's happening before someone's shining that in my eyes. Even at .25 we barely get a chance to look. Thankfully, many of your other tests aren't so flashy. Good review, though I don't generally think of clinical with these lenses because the transitional areas to out of focus are really something special. But yeah, sharp. I don't generally identify as bokehlicious, but with these lenses I could see taking it all off and shooting wide open all the time. NDs for sure. I'll be interested to see what V35s look like. I could see coming down and renting a set when they're available.

These or the nisi athena lenses?

Def a good set. I have a sigma set and was tempted to sell to grab these but might end up just keeping them.

Same shots here, working on the same projects I guess...ruclips.net/video/GQc7dQIW9z8/видео.htmlfeature=shared&t=369

Why is everyone afraid to compare the Arles against the Nisi Athena?! I have an inkling suspicion the Athena's outperform these!!! Some please prove me wrong! 🧐

One of, but not the best camera ! No way !

thanks for brief idea on CN-E lense set. Liked it... which lense you suggest for interview/documentary/General shot purpose for one man band? I can take only one focal length ( along side RF28-70, that i already own)? I was inclining towards 85 or 135 side since i do not have that focal length. ( I am aware about quality in photo lense vs Cinema lense, but had to use certain things that i already own)

DZOFilm heavy marketing, shit lenses.

I beg you to stop using "Vistavision", everyone knows this format by "full frame" now.

Aren’t the Laowa Argus T1 set faster with equal coverage?

So glad to see you sound off about these. And thanks for the comparison against Sigma, I think that's particularly helpful. The Arles set is pure gold, both figuratively and literally with its warm image. Every single time I put an Arles on my camera, the image on the monitor just makes me smile. I can't wait to see what your V35 version looks like! Great work as usual.

Was it the Pro or the FF? because on your title it says "BMC6K FF" and in your video "BMCC 6K Pro"

They are simultaneously building your tolerance to viruses and absurdity! Thanks again for this review and others - always get a ton of value!

I'm about to watch your summary after the test footage… My two cents: With some experience and insight, the Sigma primes are fantastic, especially now that the data is standard. They look great, and the data is handy for VFX. The Tokina Vista line, in its various flavors, is exceptional. Now that they have the Vista-P version and you are creating a V35 version, all the bases are covered. People mention they are heavy, but their weight aligns with similar lenses. The DZO lenses are pretty, but if I were renting or buying, I’d spend more and get what I want. Like I said, my 2 cents. I have not had the opportunity to work with them, which could change my mind.

That Tokina!!

I would say remove that green cast on the lens coating and they would be pretty much perfect.

Recovering from a cold? I just had Covid for a week!

Im hoping that it eats up the borano market share to force sony to actual start being competitive.

Ask yourself this question. "What looks worse to the eyes of the *audience*?" Extended Highlight Artifacts - vs- Rolling Shutter Artifacts

You guys make THE most informative videos. What cage and handle are on this GFX?

Could I use these on my BMCC 6K FF in open gate instead of jumping into apsc mode?

I’m surprised that this rear adapter could fit on a prime lenses. Was there anything special you had to do to make it work?

RED and best budget in the same sentence? With its bullshit overpriced proprietary media, batteries and accessories?

A crusade against Mercury veiled as a review of Blazar. It’s quite funny to be honest. The presenter deploys huffs and puffs and rhetorical figures of speech any politician can learn from to push their agenda. Thumbs up for this skit!

It's insane that you can actually create a high-end production with this budget. The image is absolutely amazing. You say, you are with money left for buying some accessories. I'd say you can save for buying some awesome lenses.

Is it true these lenses could take a 40.5mm filter in the rear?

Im wondering at 11:30 , what that side handle is called on the FX6 Zeiss sample photo there. I've been looking all over where to buy one that's compatible w/ my tilta cage's arri rosette

10:57 bro predicted the future

Man, your video is perfect. Thanks a lot :)

I'm just so addicted the clean shadows of the DGO sensor. So hoping for a full frame DGO sensor in the pipeline too.

Love your tests and really like the way you made this creative bokeh! I have a question on the T Stop of the V35 Version. It seems that they are a quite bit darker compared to the Sigma Cine. (Obviously I do not know the other camera settings) Are the V35s still a T1.5?

Amazing... Sign me up

Really great work. Quick question on the Sigma "Classic Art" lenses - are they still f1.4 optical designs, and the missing coatings steal that stop and a half of light? I've gotta say I actually like them quite a bit but previously dismissed them for the speed. I wish lenses would come with both f and T numbers labeled.

Hello, nices test, the XH2 can record anamorphic too? can be deezquese display or not?

Why do they look so pale and over exposed? also the colors look off on everything.

How far past infinity does this focus? (Rant: when did it become acceptable for a manual focus lenses to not be calibrated for infinity, damn you cost cutters).

I just got the Godox F600Bi. It's pretty great. The ballast is a little loud, but there's cabling to move it away.

I wish you guys would do a in depth of filmbox

Thank you for this. The exciting part for me was seeing the HUGE difference that 3:2 gives....it's such a massive change in how much more the lenses can see. Epic!

thank you for pointing out the cable, that's something I'll have to keep an eye on when operating with an AC or anyone that isn't me ;)

What's the name of the company that's doing the Master Anamorphic rehousing? It brings to mind Arri's own ALFA anamorphics.

Y'all were great and it was so fun talking with you! Looking forward to using some of the V35 lenses in LA